One, by simply clicking onto the page and creating a series of joined straight lines. You can make room for a header, and subtitle at the top of the page.įrom the Tools panel choose the Pen Tool, or hit P on the keyboard. Lock the bottom layer, to avoid moving the photo around by mistake. There’s plenty of curves and lots of space for placing text, without being interrupted with too much detail beneath.Ĭreate a new layer from the Layers panel (choose New Layer from the panel’s drop-down menu), and rename the layer Typography. I’ve used this aerial shot of rolls of bread on a wooden board. Look for photos with strong shapes and curves-portraits of people work well, as do aerial photos with plenty of white space in-between items on the photo (this doesn’t have to be actually white, just one plain background color which will allow text to appear legible). Or I have to create multiple artboards in Illustrator only for that purpuse, which also has the annoying side-effect of me needing to re-align everything in the frames in InDesign.UNLIMITED DOWNLOADS: 50 Million+ Fonts & Design Assets DOWNLOAD NOW To ensure good quality I have to open the PDF in Photoshop in 1200 dpi and saving it as a huge JPG. Not to mention, that sometimes I make multiple different 'zooms' in InDesign in the same original illustration from illustrator. You may think, what's the big deal - it's the FINAL doc but in reality final documents have a tendency of being revised (over and over) for a million of equally valid reasons. This means I have spent a lot of time converting AND I am now juggling with two InDesign version of the same document. Then I have to re-link everything in InDesign and saving that as a new FINAL document. In order to get a good quality document for WEB I now have to open the PDFs in Photoshop in approx. The final document often has a file size of 40 mb despite it containing 'only' 20-30 pages and only 10 inserted PDFs - this is due to the combination of images and vectors in the inserted PDFs. When the document is finished, the customer asks for two versions of the final document one for print/press and one for web. ai) is at some point put into an InDesign document but the process is always iterative meaning I go back an forth constantly making changes in both my Illustrator files and my layout in InDesign. For instance, I often have an orthographic photo on which I draw my vectors (the combination of raster and vector produces huge. Overall I produce my artwork in Illustrator as a combination of images and vectors. Ībout "the problem", it seems there are a bit confusion out there, so I will try to describe a specific work-flow - a work-flow I know I share with many people: However, the pdf-security can often be broken with tools like. Security is seldom an issue for me and not the reason for my inquiry. In fact, if I absolutely had to do something like this, I would investigate Acrobat tools like Pitstop Pro - I don't know that it would do precisely what you want, but that's where I'd expect to find a tool that would do something like this. Perhaps there's a plugin out there that will handle this at the level of ID document or PDF export, but I would expect it to be a print-workflow tool, not a document-management tool. jpg placeholders and then relinking en masse to. You build your vector logo in Illustrator, and once you're done, you export to a raster format and place that file in ID. I don't know about "strange pdf artifacts" but I would assume that the way to do this would be to handle it at the linked-file level. Unfortunately it's been discontinued so i can't test it. I came across a plugin called Triple Triangle Raster Write for indesign CS2. Like for example, draw an area that needs to be rasterized, or tell what objects that should rasterize. There are many cases that i need to rasterize some part but leave other parts as text or vectors. But offcourse than the whole pdf is rasterized. We use a great script (made by Kasyan from this forum) which exports a pdf and than rasterizes the pdf into photoshop. To be sure the file looks and prints the same at every computer (not talking about color, but to avoid strange pdf artifacts) Filesize: documents with links to complex illustrations can still be quiet big when exporting at "Smallest File Size" (10MB+, which can give email trouble) We don't like to send many vectorial stuff like a new logo for example to customers that didn't pay yet (we had some abuse in the past) I'm looking for a way to rasterize parts of an indesign document when exporting it to pdf.
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